René Aeberhard, Gábor Altorjay, Árpád Kovács, A.S.A - Boris Nieslony, ASAC + Philippe Billé, Patricia Jacomella Bonola, Florian Cramer, Claude Degueldre, Philippe Deléglise, Keith Donovan, Etienne Descloux, Pierre-André Ferrand, Jean-Damien Fleury, H.R. Fricker, Johan Van Geluwe, Mia Santa Maria + Kina Herceg, Stephane Huitmer, IPUT / Tamás St. Auby, Luc Joly, Eliane Laubscher, Tony Morgan, Mac Tarruc, Ka Moser, Muriel Olesen + Gérald Minkoff, Clemente Padín, Félix Plattner, Vernessa Riley-Foelix, Michel Ritter, Günther Ruch, Christoph Scholl, Chris Straetling, G. Rivon Stürler, Frederick Steinmann, Marcel Stüssi, Bruno Sutter, Pat Treyer, Maurice Vouga, Maria Walther, Patrick Weidmann, René Zäch, Bernardo Zavattini, Jean-François Zehnder, Olga Zimmelova
The General Art Strike and The Perpetuum Mobile, 1991. Photo: Sidler
Dear colleagues!
The Strike as such is an aesthetic/ethical operation on the deformed body of the reigning myth.
The Strike, by definition, is declared on the territory between genesis 3; 15 to 24.
This obscure territory is the theo-logical link of the sweaty cause and deadly efect.
The Gustav Metzger-Stewart Home Proposition englightened the social implications of this relation: the Art-Strike clearly defined its position on the market of the myth.
The International Parallel Uninon of Telecommunications (IPUT), (involved in the cultivation of newly-established dictionaries of extra-mythological languages, practicing different forms of Art-Strikes under the general title: the Subsistance Level Standard Project 1984 W) calls for an international and simultaneous event in the frame of the Art-Strike (1990-1993).
The General Art-Strike (May 1991) and the Perpetuum Mobile.
The General Art Strike and The Perpetuum Mobile, 1991. Photo: Sidler
The General Art Strike and The Perpetuum Mobile, 1991. Photo: Sidler
The General Art Strike and The Perpetuum Mobile, 1991. Photo: Sidler