The approach of In/Differences remains before very plural. This topic allows to envisage bonds and ruptures whose reformulation would initially oppose differences to antagonisms. This choice tends to schematise a social and political condition: in the time where flows of information invade our everyday life, it is sometimes difficult to sharpen a critical sense and to prevail ones self of a certain objectivity. Today, the role of the artist in our society remains capital. He studies or perceives the faults of a system, denounces impertinences of multiple antagonisms and thus restores the economy of many reports/ratios, shaped by singular perceptions and experiences.